#32
August 2023
PEOPLE
#49
STAY SALTY ...... people here
Welcome to the Theater
深い海で「真珠」と出会う
門脇麗佳
2.10 2024
人事コンサルタント／キャリアコンサルタント／コーチ
入院生活はある日、突然に
その強烈な痛みは、予告もなく、ある日突然襲ってきた。
いや、正直に言えば、これまでもときどき予兆のようなものはあった。
しかし、少し我慢すれば治っていたので、きっと大丈夫だと都合よく解釈していた……だけだった。
27歳のとき、婦人科系の病気で約一か月間の入院を余儀なくされた。
当時、電気メーカーのOLとして働いていた私は、所属する人事課の上司に電話をかけ、入院することになった事情を恐縮しながら説明した。
上司をはじめ、職場の皆さんは、「大丈夫？ こっちは心配しなくていいよ」「安心して治療に専念して、また復帰しておいでね」と温かい言葉や励ましのメッセージをくださった。
ありがたい。私は恵まれているな……。
職場の皆さんの柔らかな笑顔を思い浮かべながら、ちょっぴり涙ぐむ。新卒採用の就活時、もともと海外と関わる仕事を志望していたのに、面接官の実直な対応に心を打たれ「この電気メーカーで私も働きたい！」と運命の出会いを感じた、自慢の職場なのだ。
私の入院生活は、体は自由に動かなくても頭は元気なので、まるで人生の充電期間を与えられたような感覚だった。
それまでの私は、OLとして規則正しく勤め、恋愛し、結婚し、家庭を築いて……という物語を紡いでいくものだと漠然と思っていた。
しかし、入院という予期せぬ事態が起こったことで、図らずも自分の役割や今後のキャリアを見つめ直す機会を得たのである。
「仕事は大丈夫」「安心してね」と言ってくださる職場の皆さんには、本当にもう、感謝の言葉しかない。
けれどもその一方で、生意気にも「今の仕事は、自分じゃなくても代わりの人が、翌日からすぐにでもできちゃうんだ」「自分だからできる仕事ってなんだろう」という考えがムクムクと湧いてきたのである。
今考えると、まだまだ青かったな～と突っ込みたくなるけれど、入院中という、社会からポツンと取り残されたような状況下で、私は自分自身に誓ったのだ。
自分が心から楽しめること、自分だからこそ生み出せる仕事をしたい、と。
大好きな会社を辞めた理由
一か月の入院期間を通して病気はすっかり完治し、無事に退院の日を迎えた。
職場に復帰した私は、もう以前までの私ではなかった。
平日はこれまで通りに仕事をこなし、週に3日、夜間に開講するグラフィック・デザインの学校に通い始めたのだ。
なぜグラフィック・デザインを選んだのか？
それは入院中、これからのキャリアについて考えたとき、人事課の仕事の中で、特に社内報の制作にやりがいを感じていたことに気づいたからだ。
社内報は、人事課の社員が持ち回りで作っていたが、じつは配られると同時にゴミ箱に入れられることも多く、その状況を常々残念に感じていた。
人は、他者との関わりの中で変化し、成長していく。社内報は、全国に点在する支社のさまざまな部署で、どんな人がどんなふうに働いているのかを伝えるもっとも有益なツールのはずなのに、どうしたら社員の皆さんに興味をもってもらえるのだろう、と。
そこで私は、自分が社内報の担当になった際、新たな記事のアイデアを出したり、社員へのインタビュー企画を考えたり、紙面デザインやレイアウトなども工夫して、徹底的に改革を行った。
すると、多くの社員から「前よりも楽しくなった」「もっと読みたい」などの嬉しい反響があり、クリエイティブの可能性をもっと追求してみたくなったのだ。
本格的にグラフィック・デザインを学んだことで、社内報のレベルは確実に向上した。
すると、社内報だけでなく、もっとさまざまなクリエイティブを手がけてみたいという気持ちが自然に芽生えた。新しい世界に飛び立つときが訪れたのだ。
大好きな会社を退職するのは後ろ髪を引かれる思いだったが、グラフィック・デザイナーとして新たなステージに向かう決意をした私を、職場の皆さんは、病気のときと同じように、「大丈夫だよ」「応援しているよ」と温かい言葉で送り出してくださった。
キャリアの8割は偶然によって決まる
「コカ・コーラのボトルの素材と“ハッピーをあげよう”というテーマで、あなたはどう表現しますか？」
デザイン系企業からの出向として、コカ・コーラ社で新設されたソーシャルエンゲージメントのクリエイティブプロジェクトチームの一員に選ばれたときのこと。
事前に、グラフィック・デザイナーとしての力量を試されるテストがあるとは聞いていた。
しかし、その道のプロたちがずらりと20人も並んでいる前で、私のPCと巨大スクリーンをつなぎ、デザインの過程や作業の一挙一動を見られつつ即興で作るなんて、聞いてないんですけどー！
……叫びたくなる気持ちをぐっとこらえ、冷汗が流れ落ちるようなシチュエーションの中、Photoshopとillustratorを駆使して、ボトルからプシューッと飛び出したコーラのしぶきで「幸」という文字を描くデザインを制作した。緊張度はすでにMAXに達している。
おそるおそる周りを見渡すと、うんうんと笑顔で頷いている皆さんの姿があった。
どうやら「このチームで一緒にやっていける人だ」と認めてもらえたらしい。
この日から、プロジェクト終了までの約8か月間、コカ・コーラ社のチームメンバーとして活動した。
心理学者のクランボルツは「個人のキャリアの8割は偶然によって決まる」というキャリア理論を提唱している。
出向という偶然からスタートしたコカ・コーラ社でのプロジェクト参加経験は、私に鮮烈な刺激をもたらし、さらなる目標を与えてくれた。
良いクリエイティブを生み出すこと――つまり、クライアントの魅力を最大限に引き出し、ブランドの価値を高めることができるかどうかは、「そこで働く人」そのものにかかっている。
彼らが、自分の強みを大いに発揮し、誇りを持つことができたら、よりクオリティの高いクリエイティブの創出に繋がっていく。
また、どんなに高いスキルや知識を持ったメンバーが集まっても、互いに認め合い、調和することができなければ、良いクリエイティブは生み出せない。
私も一人のデザイナーとして貢献するのでなく、「そこで働く人」一人一人の生き方や働き方を支援する立場で、組織がより活性化するように背中を押したい。
コカ・コーラ社での経験は、デザイナーから人事へのポジションチェンジや、現在につながるキャリアコンサルタントへの第一歩を踏み出す、大きなきっかけとなった。
欠けているなら、埋めていこう
出向先のコカ・コーラ社からデザイン系ベンチャー企業に戻ると、出向前は10名くらいだった社員数が、30名程に増えていた。
人が増えれば、課題や不満も増える。
私は社長に人事の重要性を訴え、社内初となる人事ポジションへ異動した。
さらに、自分の軸をより確かなものにするため、週末に学校に通って勉強し、キャリアコンサルタントの国家資格を取得した。
「なぜ、そんなに学び続けられるの？」と聞かれることがよくある。
私はこれまで、自分に満足できたことが一度もない。
つねにどこか自信がないし、つねにどこか納得していない。
自分の知識や経験値について、これでいいと満足してしまったら、そこまでだと思っている。
今の自分に必要だと感じることを、つねに学び続けてアップデートし、リミットをどんどん外していくことが、私にとってもっとも豊かな生き方なのだ。
たとえ何歳になろうとも、「これで満足」と思えることは一生ないだろう。
当初は、組織やチームを良くするために始めた資格の勉強だったが、学んでいるうちに、自分自身のキャリアについても深く掘り下げ、向き合うことができた。
資格取得後は、人事コンサル系の会社やコーチング・研修を行う会社、人や組織のサーベイ会社などを経験し、2024年1月に個人事業主として独立した。
いつも見守ってくれる上司や、ともに高め合えるチームメンバーはもういない。
きっと、これからも迷ったり悩んだりするだろう。
でも、欠けているなら埋めていけばいい。その情熱が人生のモチベーションになるはずだ。
海の底から一緒に「真珠（PEARL）」を見つけたい
2024年から独立した私は、「人事コンサルタント」「キャリアコンサルタント」「コーチ」として、仕事や生き方などに悩みを抱える方やキャリア相談などのToCサービス、人や組織に関する課題を抱える企業様に向けた人事コンサルティングなどのToBサービスを行っている。
個人事業主としての屋号は「PEARL career consultant」と名付けた。
もっとも大切にしているのは、クライアントの抱える本質的な課題や、大切にしている価値観などを、一緒に探求し、気づいていただける支援をすることだ。
対話を重ね、深くご自身の内側を見つめてもらうのは、一緒に深い海の中をダイビングしている感覚に近い。
深く深く潜った先に、手にできるもの（先に書いた、本質的な課題や、大切にしている価値観など）が、真にその人が出会うべくして出会えた大切なもの＝「真珠（PEARL）」なのだ。
……とカッコよく語ってみたが、自分自身を探求するのは、とても怖い行為だし、そんなに簡単な作業ではない。
クライアントさんのセッションをしていると、無意識に見て見ぬふりをしていたり、感情にフタをしていたりする場面が多々ある。
中国に、こんなことわざがある。
「鳥には空気が見えない。魚には水が見えない。そして、人間には自分が見えない。」
人は自分のことをわかっているようで、わかっていないことばかりだ。
だからこそ、自分が見えなくなっている部分を映し出してくれる鏡のような存在が必要なのではないだろうか。
自分で自分がわからないから、私たちは悩み、葛藤し、ときに辛い思いをする。
それこそが人間らしさでもあり、決して悪いことではない。
けれども、見えなくなっていた自分自身を探求し「これが自分なんだ」とマルっと受け入れ、認めることや好きになることができると、人は驚くほど変われる。
何より私自身がそれをできるようになったことで、生きるのが格段に楽になった。
情報があふれ、さまざまな選択肢が広がる現代は、一見豊かで幸せなようだが、それゆえに迷うことも多い。
だからこそ、納得できる生き方や価値観を見つけることができれば、どんな社会であっても、自分の力で力強く、しなやかに羽ばたいていけるはずだ。
今日も私は、クライアントと一緒に深い海を潜っている。
一人ひとりの「真珠（PEARL）」は、凛としたシャープな輝きを放っていたり、ふわっと優しい光に包まれていたり、どれ一つとして同じものはない。
text and photo - Reika Kadowaki
Writer / Storyteller
Momoko Nakamura
Lives and works in Osaka
Graduated from Kansai University, Faculty of Sociology, Department of Mass CommunicationOG, director and actor of the student theater troupe "Gakuenza".Studied under comedy writer Shigeru Danjo
Graduated from "Osaka Scenario School," performance script department.
After working as an AD for a radio program and at a production company in Osaka, worked as a freelance writer
Attended strip theaters, traveling playhouses, and bars,
Working on two manuscripts for a book project.
He writes two kinds of articles on the web magazine "tabistory": stories about bars and stories about someone's home, and updates "Momohana Butai" (almost) a note a day and an essay a day.
Bookstore & Gallery at Yushima, Tokyo.
In May, he started a two-box "Bookstore & Gallery Momohana Butai" at "Bookstore & Gallery Departure Point" in Yushima, Tokyo.
I wanted to create a "place of connection" beyond social networking sites,
We have recommended books and free papers.
Bookstore / Peach Blossom Stage
For a detailed profile including past work, please contact
https://momohanabutai1122.seesaa.net/article/202011article_1.html
#32
August 2023
PEOPLE
#49
STAY SALTY ...... people here
Welcome to the Theater
劇場へようこそ
Writer / Storyteller
Momoko Nakamura
10.15 2023
The picture is said to be the first to be shown to the public in three and a half years.
It depicts the women "inside" and those who look in.
The light from inside and the lanterns held by the people peering in,
The light from inside and the light from the lanterns held by the people peering in are depicted, although the faces of the people are almost invisible,
The light and darkness through the latticework bring out the patterns.
The painter is Oui Katsushika, daughter of Hokusai.
Many people may know her as she has been featured in TV dramas and animated movies.
Like her father, she devoted her life to painting, but she is also a mysterious person.
She also assisted her father and worked on his behalf.
There is an episode in which she was said to be more skillful at painting beautiful women than her father.
However, only a dozen or so of her works remain in the world.
One of his best-known works is this painting.
Near and far, far and near, inside and outside, people and people, light and shadow. The stage and the audience, or rather, everyone is on the stage.
I first became acquainted with Oye in a manga titled "Sarusuri.
It was the basis for the animated film I mentioned earlier.
Young Oei a.k.a. Oei and her father Hokusai a.k.a. Tetsuzo,
and his father, Hokusai, and a young man named Eisen Keisai, known as Zenjiro, who is staying at the family's house (or so the story is set up).
The story is about a young man, Oei (Oei), and his father, Hokusai (Tetsuzo), who are staying at the house of a young man, Eisen Keisai (Keizai), and others.
It is a time once upon a time,
And yet, for some reason, they seem to be people and things that are there now.
Life, sex, death, people, and demons. It is vividly alive,
But somehow it is strangely pleasant to see them depicted so vividly and so plainly.
I first read this book when I was in junior high or high school.
At the time, NHK was broadcasting a program called "Comedy Oedo de Gozaru" (Comedy in Edo, that is.
The program was recorded in public on a set that resembled a playhouse.
A troupe of actors led by the head of the troupe performed a comedy of laughter and emotion.
After the play, a guest enka singer sang on stage,
After the play, a guest singer sings a song, followed by a story related to the comedy and Edo trivia corner.
In this corner, a manga artist and researcher of Edo manners and customs, who always smilingly shared interesting stories with the audience,
The person who always smiles and tells us interesting stories in this corner is Hinoko Sugiura, a manga artist, researcher of Edo customs and writers, and the author of the previous article.
Edo is not a distant era or world. Welcome."
As if guided, I picked up her manga and essays.
I think it was too early for junior high and high school students to feel the sophistication and emotion.
However, I was attracted to her "beautiful, kind, and foolish" view of human beings.
I was excited by the vividness of the people and "this moment" conveyed through the pictures and sentences.
The heroine of "Hyakkaiben", Oei, or rather, Oei-chan and Hokusai, became like myself and my surroundings until now.
I have been fascinated by the space of the theater. Writing" and "theater (stage)" (and books) have always been a part of my life.
My "first" theater experience in my life was when I was in elementary school.
The school took me to see a children's musical by the Shiki Theater Company.
At the climax, two songs, "good" and "evil," intersected.
I was thrilled by the singing competition between the heroines, who fought back with the "warmth of their hearts" against the evil who wanted to "steal the light from people's hearts.
It was a thrilling experience to see a story being embodied by people in front of my eyes.
The sense of unity of feeling the heat and power of the story with so many people in a big theater.
I was hooked on the "swamp.
I was also struck by "Super Kabuki Hakkenden" and "Yamatotakeru," which I saw live on TV during the summer vacation of my sixth grade school year.
Even though they are classics, they are mundane and gruesome, and the soul of the stories comes to you, and the people fly through the air.
Since I cannot go to the theater, I rely on libraries and bookstores.
Even when I've exhausted the shelves of photo books, plays, and classical performing arts, there are still theater books and small theater magazines.
I read them from cover to cover, thinking of theaters and performances here and there.
I was somewhat "spooked" and chose Gekidan Shinkansen, which I went to see,
Looking back on it now, it was just at the time when the company was on its way to becoming a major player in the theater industry, and it had a lot of momentum.
Even if I used my part-time job and New Year's money, a high school student could only see one performance.
That is why I memorized the lines in one performance. They sang, danced, and replayed the lines over and over in their brains.
Find theater friends with whom you can correspond through theater magazines. Write and talk to each other. Receive videos.
I was doing in real life what is now being done on social networking sites.
I met an actor from one of the theater companies,
I started attending private lessons at his music studio.
He told me, "The 'a' sound only comes out of the 'a' mouth, you know? Ew."
I think the language and sound lessons also influenced my writing.
Even though I wasn't in the drama club, I performed in a high school play in Kobe City,
I even took over an auditorium at my high school and put on a guerrilla graduation performance that drew a wide audience.
During his four years of college, he continued to see and create plays.
Student theater while studying under a former newspaper reporter and essayist.
I was an actor, producer, and director in a theater company that looked like a gymnastics or cheerleading squad.
He performed on stage even when he was injured or sick.
For his last performance, he visited a traveling theater and a playhouse of popular theater as a reference for direction.
I also wanted to use it as a reference for a script I was writing under a certain comedy writer, the founder of Kansai Comedy, whom I had the good fortune to study under.
I wanted to refer to a script I had written for a certain comedy writer, the founder of Kansai Comedy, whom I had the good fortune to study under. I was mesmerized by the overwhelming heat and power. Caught up in the whirlpool of the playhouse and its people, I went beyond liking or disliking and became involved.
Why the stage? Why the theater? Why have I been fascinated by it?
It is really simple, but I think it is because it is "to you, in front of you, with you.
From the stage to the audience in front of you. The story and feelings are delivered to the audience.
The audience in the auditorium receives the story, laughs, and cries.
The heat and energy of the audience reaches the stage. The actors and performers on stage also receive and return.
Even if they are performing the same story or the same structure, no two performances are ever the same.
The stage and the audience create a space and atmosphere that is "alive" in the present moment.
Six years ago, I went to a strip joint.
It was not my first visit, although I had been to a few theaters that no longer exist when I was in my twenties,
But I never really got into it.
But now that I'm a little older, I saw it and felt differently about it than I did back then.
I felt more "human" than any other play I have ever seen.
I researched on social networking sites, which have become more familiar to me than they were back then, and learned about one of the dancers.
She was a leading dancer in aerial performance called aerial.
I was eager to see the performance, so I went to see it.
When I opened the door of the theater, I found an aerial performance taking place.
In one of the many theaters that are known for their "height (ceiling, depth, etc.)",
She wrapped a cloth called silk or tissue around her body,
spinning and striking pose after pose. I was overwhelmed. I can only say that I was overwhelmed.
The motif of the next "work" I saw, which I watched with a more relaxed mind, was a classical work depicting people seeking "love and freedom.
What is this? I felt that the theme of the original work was conveyed not through dialogue or words, but with one's body, with one's whole body. I will say it again. With one body.
Now that I think about it, there may have been an image of the work that was used as a motif, it may have been big. But it's not just that.
Because even now, even now, in every work, I feel it with a fresh feeling every time.
I wonder why. I feel as if she takes me along with her on her stage.
Where? What? Why?
I don't know, but I felt like she was taking me with her.
She was alone on the stage. But what can I say?
She is carrying on her back the thoughts and lives of all the people in the audience,
It was as if she was flying, swimming in the air.
I don't even know why I thought so. I don't even know why I thought so. But I want to use it.
It's a tough time for everyone, tough days, for those on stage and for us in the audience.
In such a situation, I want to put everyone's feelings on the stage.
How heavy, how hard. And yet so vivid.
She is not a goddess, an angel, or a nymph, but a human being. Because she is a human being.
What is theater?
What is it about human beings?
It's wonderful. Another vague word. But it is wonderful.
I want to believe that, I can believe that, yes, it's wonderful.
Through her stage,
I met the people who gather at the theater,
I began to think more about "human beings.
I have met more people than ever before.
I am not alone. There are people from all walks of life.
Sometimes I like to be alone.
But I cannot live alone.
Everyone has something to carry on their shoulders.
It is probably impossible for others to take over all of that baggage. But that is why.
I began to think.
All people have the right to live freely and equally. How to live like that?
I don't have an answer. I can't give it to you right away. Will it always be there?
But still. So still.
To think, to interact, to not pretend to ignore, to know, to try to know.
The various faces in the story, on the stage, and in the audience watching.
Some are angry, some are crying. People crying in their hearts. Those who are not crying. Those who are acting.
People who get roles and people who don't. No, everyone has a role. No, everyone is playing a role.
Various, various positions, ideas, tastes, and preferences.
The north wind and the sun, the moon and the sun, "you in front of me.
People who have been involved, people who have crossed paths, and people who will meet in the future.
I began to think that "RESPECT" for others must be important.
So, "RESPECT" for others must be important.
With imagination, in other words, with respect and esteem for the other person (and for yourself),
I believe that it is important to "RESPECT" the other person (and oneself) with imagination, that is, with respect and esteem for the other person (and oneself) in this theater called society and the world.
Of course, you need to have your own axis. Of course, we need to have our own axis, so as not to be swept away by excessive sympathy or cohabitation.
On top of that, in order to change or change what "should not be" or "should not be allowed" together, you, in front of you, in front of you.
I wonder if we can make even one step or one millimeter of progress by doing so.
All my life, I have been writing Blogs on the Internet (now moved to NOTE).
After graduating from college, I started it with the feeling of "training my muscles and face to face while writing what I want to write.
I started it largely because I wanted to write about my impressions of the stage and "readings" of traveling plays.
After working part-time at a theatrical food theme park that also had a playhouse,
He worked in the radio field, joined a production company, and then went freelance.
He worked as a reporter for a mini-comics magazine, as a writer for a traveling theatrical magazine, and as a radio program producer.
I have been involved in various kinds of "writing" and "stage" work up to the present.
I have been using this blog name since I became a freelance writer.
My last name and first name are not so unusual, and I dare say it is a trade name, but that is an afterthought.
I have always loved and cherished "theater" and "stage," and flowers as part of my real name.
People are all flowers. Aren't we like flowers? This is also a stretch.
But it is strange to think that 19 years ago, I thought of this name in a few seconds.
This web magazine is also a result of such a connection, a connection from which I have come to write.
Near and far, far and near, person to person, myself and others, myself, light and shadow, and therefore, light.
Oei's painting "Yoshiwara Koshisaki no Zu" will be exhibited at the Ota Memorial Museum of Art in November.
To me, this painting looks like a "theater.
text and photo - Momoko Nakamura
Writer / Storyteller
Momoko Nakamura
Lives and works in Osaka
Graduated from Kansai University, Faculty of Sociology, Department of Mass CommunicationOG, director and actor of the student theater troupe "Gakuenza".Studied under comedy writer Shigeru Danjo
Graduated from "Osaka Scenario School," performance script department.
After working as an AD for a radio program and at a production company in Osaka, worked as a freelance writer
Attended strip theaters, traveling playhouses, and bars,
Working on two manuscripts for a book project.
He writes two kinds of articles on the web magazine "tabistory": stories about bars and stories about someone's home, and updates "Momohana Butai" (almost) a note a day and an essay a day.
Bookstore & Gallery at Yushima, Tokyo.
In May, he started a two-box "Bookstore & Gallery Momohana Butai" at "Bookstore & Gallery Departure Point" in Yushima, Tokyo.
I wanted to create a "place of connection" beyond social networking sites,
We have recommended books and free papers.
Bookstore / Peach Blossom Stage
For a detailed profile including past work, please contact
https://momohanabutai1122.seesaa.net/article/202011article_1.html
PEOPLE
#48
STAY SALTY ...... people here
The Ocean and Books
海と本
The Sea and Books Owner
Keisuke Kamata
8.5 2023
Why did you start a bookstore?" I am always at a loss as to where to begin.
Perhaps the truth is that I don't have a clear answer myself.
I have always had a yearning to be a bookseller, and I had a vague idea that I wanted to try it someday.
However, I think it was the presence of my younger brother, who passed away, that made me determined to do it.
Since we were the oldest, we were more like rivals than brother and brother, and we were aware of each other from when we were small.
We competed with each other in everything from playing to fighting, but my brother was particularly good at playing the NES, and I can only remember feeling frustrated.
At first, I had the advantage because I was the older one, and I would cry a lot when I lost.
Then he would persistently practice more and more, and eventually I would be beaten.
Even as a child, I was surprised at how persistent he was.
I didn't think I could beat him in terms of competitive spirit and concentration.
My younger brother, who was far more capable of studying than I was, studied at Keio University's SFC, and after graduation he became a gardener, something he had always wanted to do.
After eight years of training under a gardener named Mr. Mitsumori Furukawa, he became an independent gardener under the name of "Garden Making Kamada.
He designed and maintained gardens for private residences, stores, temples, etc., mainly in the Nara and Kyoto area.
It was at the age of 36, five years after becoming independent, that he fell ill with cancer.
After a six-month battle with the disease, he passed away a step ahead of his time.
He was a person who did not care where he lived, and for a while after graduation he lived in a rundown apartment that was, to put it mildly, like a ghost house, with a bath attached to the balcony, which was unusual (because he was forced to install a bath in an apartment without a bath).
After becoming an independent gardener, he lived alone in an old wooden apartment.
However, his room was neatly organized, and he had his own particular taste in tableware and clothing.
His life was simple and frugal, but full of virtues.
After his brother's death, the last thing that remained after he finished cleaning up his room was a bookshelf.
There was a collection of books that would last almost a lifetime, including manga by Osamu Tezuka and others he had read as a child, architecture books by Antonin Raymond and Arata Isozaki, which he must have learned after becoming a gardener, Kazushi Hosaka, whom he loved, Taro Okamoto, who must have encouraged him, and Hideo Kobayashi, who must have grown up a little taller than he was.
I could feel their nurtured friendliness in each book, and I began to see the bookshelf as if it were my little brother itself.
In the end, I could not throw away any of the books, and one of my brother's closest friends, a fellow gardener who had helped him in his private and public life, decided to take them all away.
Looking at the bookshelf, I felt that I had lost a lot in terms of my way of life.
I realized how much influence books have in our lives.
And the reality that life is limited.
These were the main motivating factors for me to go to the bookstore.
For my brother, creating a garden was a way of learning, a way of playing, and a way of life itself.
To create a garden, he met people, read books, and became more educated.
I work in web design, which is something I love to do, but it was still not the same as that for my brother's garden.
I thought that a bookstore would be a little closer to my brother's way of life.
My brother, who was also a book lover, would say, "That's good.
Besides, after becoming independent, both of us (especially me) wanted to work together someday.
I also thought that if it was in the form of a bookstore, my brother might be willing to work with me.
Then I started to learn how to open a bookstore in my own way.
For starters, I read several books about unique small bookstores.
Some were gallery-type stores that sold only one book, some were attached to cafes, and some sold both used and new books.
There are many different types of bookstores, and they are all interesting.
When I thought about what kind of bookstore I could do, I realized that I could not do an ordinary bookstore.
To become a so-called "town bookstore," I would need a considerable number of books and the space to put them, and I don't have the budget to begin with.
In that case, I thought it would be better to create an interesting store that is different from others in the genre I am good at, even if I am biased.
I liked photography in my own way, and I liked art, but I didn't have the knowledge or experience to specialize in it.
I have been doing this for a long time, and the only thing I know more about than others is surfing and its surrounding culture.
The area where the axes of surfing and photography/art intersected immediately came to mind.
For some reason, I have a sense that surfing is unpopular among people I consider to be well educated and cultured.
They look at me and say, "Hmmm, surfing...." I get a "Hmmm, surfing...." look on my face.
Surfing has become an Olympic sport, and I think it is gaining recognition in terms of sport, but I don't think people understand the cultural depth of surfing yet.
When I was in my 20s, I worked for a company that provided wave information for surfers.
I rode my bike from Shichirigahama to Yugawara to give them the wave information.
It was great to be able to surf every day, and I was proud of the job itself, delivering information to those who needed it.
At the time, surfers had a stereotyped image of "bad manners," "long hair, brown hair, and piercings," and "a sport played by delinquents," and some people actually were like that, and of course they were free to look however they wanted, but I had many bad experiences because of it.
A friend's mother once told me, "Don't be a sea person.
I was quite shocked by her words, as they implied that "if you surf all the time, you won't become a good person.
Even if there are a few people who see it that way, there is definitely a certain percentage of people who still do.
I would like to reach this demographic.
In order to do so, it is necessary to convey not only the sporting aspect of surfing, but also the cultural aspect.
I think it is good to have a place where people who are interested in art and culture can come into contact with surfing and its surrounding culture and think, "Hey, this is a good place. It would be nice if there is a place where people who are interested in art and culture can come in contact with surfing and the surrounding culture and think, "Oh, it's kind of nice.
I envision a place that is like a brackish zone between surfers and non-surfers.
Ideally, surfing and beach culture should be more commonplace in the community and society, and it should flow back into the community and society in a positive way.
On the other hand, I think there is a lack of places where surfers can deepen their interest and education in art and culture.
Surfing itself is a fun and educational activity, but learning about the cultural depths of the activity will greatly expand that enjoyment and learning.
It would be great if surfers could be introduced to art, culture, and education that have nothing to do with surfing, and the more surfers who become involved, the greater the role and trust that surfers play in society.
After much trial and error (and I am still in the process of doing so), I started "Books & Gallery Umi to Hon" last August.The concept is a place for people who love the ocean and books.
I want people to touch and understand the deeper aspects of surfing, but I don't want it to be an intrusive place.
We dared to leave the words "surfing" and "beach culture" out of the store name, aiming to create a place where people can come into contact with a wide range of cultures and worlds that come into contact with the ocean, including surfing.
It is a place where anyone who loves the ocean and books can casually stroll in.
We want to be the kind of place where you can find a book that will expand your world.
But there is more to the story of how I started the gallery, and I would like to add a little about that process.
As the name "Books & Gallery" implies, the initial idea was to operate Umi to Books as a bookstore and gallery.
We decided to add a gallery because we felt that it would be difficult to run a bookstore as a stand-alone business on an ongoing basis.
And in terms of enjoying and learning about art and culture, the bookstore and gallery are very close to each other.
We thought that if people could see artwork related to the sea along with books, it would create interaction with the artists and make the place more enjoyable and attractive.
However, I had no idea what a bookstore was, and I was too busy just running the bookstore to start a gallery.
Then, art director Toshio Shiratani showed up at the store on a whim.
Mr. Shiratani had produced many of my favorite photo collections and art books, and was a legend in his own right.
That alone was unbelievable, but Mr. Shiratani was so friendly that I whispered to him that I wanted to open a gallery but hadn't gotten around to it, and that I would like to hold an exhibition of Mr. Shibata's work someday.
Mr. Shiratani made the extraordinary suggestion, "Well, let's do it now," and in no time at all, it led to the "Mitsuyuki Shibata Summer Bohemians 1984" exhibition.
I cannot express my gratitude enough to Mr. Shiratani, who nimbly and forcefully guided us toward the realization of this exhibition, and to Mr. Shibata, who willingly accepted the invitation to exhibit in such a small and unreliable gallery.
Mitsuyuki Shibata Summer Bohemians 1984" will be on view through August 27 (Sun.).
We hope to see you there.
text and photo - Keisuke Kamata
The Sea and Books Owner
Keisuke Kamata
He spent his junior and senior high school years in Kamakura and currently lives in Kugenuma, Fujisawa City.
While working part-time as a student at a surfing magazine, he began teaching himself design with a passion for DTP.
After working as a weather forecaster for a surfing wave information company, he worked as a designer for a web production company before setting up his own business.
Started "Books & Gallery Umi to Hon" in August 2022.
Announcement from "Books & Gallery Umi to Hon" (Sea and Books)
Mitsuyuki Shibata Summer Bohemians 1984 exhibition
7/16/2023 sun. - 8/27/2023 sun.
This exhibition commemorates the release of Mitsuyuki Shibata's photo ZINE "Summer Bohemians 1984," newly published by art director Toshio Shiratani. Shibata, who at the time was developing his own unique sense and style as a surf photographer, provided the blue-tinted beach snapshots for the cover of "Snaps" (published in 2005 by Marin Kikaku), a collection of beachside columns by Kaoru Ohno, who was a great influence on Shibata's work. The striking blue photographs, which fully express the world of surfer Ohno in a single photograph, were also included in the photo book "Summer Bohemians" (Bueno! Books), and the numerous dreamy blue photographs have attracted many people, not only surfers but also overseas. The book is an important collection of Shibata's photographs.
This exhibition is a collection of Shibata's work and the exhibition of his blue photographs taken in the 80's.
